This trio jammed in Trey's barn in early 2000, then each member took home DAT tapes and used the jams to write song structures and lyrics. The group had one live warm up at the 2/21/00 Primus show in Burlington, VT, when Les invited Trey and Stewart onstage during Tweekers. The band then played its first full show during the New Orleans Jazz Festival. Apparently Copeland had wanted to cover an entire Zeppelin album, but Les had convinced him that a set of largely original material, heavy on the jamming, would be more exciting for the fans. Besides launching Oysterhead, the show held multiple rewards for Claypool. Just days after Primus had played its final show and disbanded, Les was able to demonstrate to the music community that he was moving on and forming other viable projects. Besides boosting his confidence, the connection with Trey and the Jazz Fest appearance gave Claypool instant access to the jam band community (in the next two months he would appear onstage with the Disco Biscuits, Galactic, and Ratdog, bands with whom he had previously not had any relationship).
The band had a mini reunion on 9/30/00 when the newly formed Frog Brigade and Phish (about to enter a long hiatus of its own) both came through Las Vegas. In the spring of 2001, between Frog Brigade and Trey Anastasio Band tours, Oysterhead recorded their first studio album in Trey's barn. The album was released in 10/01, and the band played a full fall tour. Chris Kuroda from Phish did the light work, which while nothing compared to a Phish show, was more interesting and creative than what one typically finds at theater-sized venues. Sets ranged from 80 min to two hours, and most songs involved extensive jams. While the new material was not particularly intricate or complex, it nicely showcased this trio's ability to creatively play in a variety of styles, from up-tempo rock to noodly ambient jamming to bluegrass. The only major shortcoming of the tour was the lack of material itself, although the improvisations and change ups in set list order kept most shows fresh.
As for the band's sound, it is an interesting blend of the three musicians' usual tones. Les, comfortable in the power trio format, plays aggressively, but his overall sound is softer and more legato, his role more supportive and dare we say traditional (Trey has said that Claypool adjusted his style to accommodate Copeland's ability to follow the guitar melodies drumistically). Copeland plays like his old aggressive self, although his drums and cymbals sound more washy and jazzy than the real crisp, high pitched tones for which he was known with the Police. Also gone are the reggae beats and octobans of yore, replaced by jazzy tom fills and amazingly powerful cymbal accents. While Les and Trey are well-known live powerhouses, many people had forgotten what an unbelievable drummer Copeland had been. Despite the passing years, his technique and absolute intensity remain awe inspiring (during the whole show, he just stares at his bandmates, totally locked into the music). His killer drum tones and stage presence (two drumsets, set up nearly level with Trey and Les) left little doubt that he was a major part of the trio's look and sound. Copeland also demonstrated his melodic and orchestral capabilities by creatively incorporating a second percussion setup into the band's music, thus increasing the trio's tonal options.
Perhaps the most interesting changes came from the guitar chair. While Trey had toured with his own trio in 1999, Oysterhead was the first time he had really played in a power trio format, particularly with such strong, stylistically well established band mates. While his solos and strong rhythm playing are reminiscent of his sound in Phish, the most glaring difference was his newfound creative use of loops and sound effects (during many a Phish show in 1999-2000, it seemed that Trey would get stuck within the constraints of the same delay effects, making many jams sound similar). Whether you loved the band or thought their individual styles did not mesh well enough, in 2001 Oysterhead provided a vehicle for Copeland to return to rock drumming, and for Claypool and Anastasio to break out of their molds.
Another point worth mentioning about the live shows was the contrast in fan base between the Phish heads that came primarily to hear Trey versus Les' fans. It was quite comic to see erstwhile Phish fans, who attempted to stake out their god-given turf ("I got here an hour early for this spot") and demanded personal space so that they could zone out, do drugs or noodle-dance. At the same time, much to the consternation of Trey and peace loving hippies, muscle-bound, male dominated Primus fans assaulted the stage during any rowdy song, threw their weight around and formed mosh pits wherever possible. This contrast in fan base extends to the virtual medium as well. A brief perusal of the show review section on phish.net yields mostly complaints (excerpted and paraphrased, with editorial commentary in italics):
· The shows were too short and repetitive. Fans pointed out that despite all the "power trio" talk by the band members, they played very few covers of other famous power trios. And yes, these shows were not of the epic length to which Phish fans are accustomed (the best line is by a Phish reviewer, who at the end of the show keeps insisting that there is going to be a second set) - But what could be reasonably expected from a band with one album? As far as using covers to lengthen the set, it seems that the tour emphasis was on building band live chemistry (compare any fall show with the 5/4/00 debut) and working out the original material. It is probably for these reasons that there was also a conscious decision not to perform any Phish, Primus or Police songs.
· The band personalities did not gel, with particular reference to Claypool's 'antics' (e.g. 'strutting around the stage' and 'playing the same licks'). These are probably the most funny, yet tragic comments of all, since regardless of whether one likes Les as a musician, they demonstrate the delusions entertained by many Phish fans, for whom only their band can do no wrong. Yes, Claypool is an entertainer and quite the character. But how are his "antics" any worse than when Fishman acts like a fool, or when Trey runs laps around the stage waving a megaphone around? And yes, Claypool has a stock of licks and specific teases that he likes to play. But what musician doesn't? Also, these kinds of modules serve multiple purposes, and are not just a cheap joke at the audience's sake. For example, in Frog Brigade jams, Les often teases Dueling Banjos to alert his band mates that his bass solo is over and they should be ready for a composed section. These licks and teases are also a way to keep the audience on its toes, as if the musician was personally checking if the audience is paying attention. Let's not forget that Trey frequently resorts to certain riffs (how many times did he play the same delay loop between 1997-2000), or that Phish played their audience participation riffs (especially the Simpsons theme) repeatedly in the early to mid 1990s.
After a 5 year hiatus, Oysterhead played a reunion show in 2006 at the Bonnaroo festival.
Les Claypool
Besides his usual Paul Languedoc guitars, Trey also used the following instruments:
Acoustic Guitar on: Birthday Boys
Keyboards: Sinkin' Down
Stewart Copeland
Other Les Claypool Band Material
None to date.
Unreleased Originals
Covers
Teases
Vocal Teases / Lyrics
Official Video
None to date.
Historically Important Shows
Frog Brigade
After two one-off shows, in 8/00 Les unveiled the first long-term version of the band, with the rather unwieldy name of “Colonel Les’ Claypool’s Fearless Flying Frog Brigade.” This six-piece band toured in 8/00, with sundry shows in the fall (Claypool has released live albums culled from the 10/8 and 10/9 shows, appropriately titled Live Frogs I and II). The year culminated with the first annual FrogOut, a two-day extravaganza with long sets and multiple guest stars. The same lineup reunited for a tour in Jan-Mar 2001, in the middle slot between headliner Galactic and various opening bands.
After a few June 2001 shows with changing lineups; a different, leaner Frog Brigade (with a shorter name, having dropped the “fearless” and “flying” adjectives) toured in the summer of 2001. This lineup premiered several new Claypool compositions, his first Frog Brigade songs with vocals. Fall 2001 was quiet, as Les toured with Oysterhead. The year finished with the second Frog Out.
2002 witnessed yet another stylistic change in lineup, as Mike Dillon of Critters Buggin’ joined on percussion and xylophones to augment the changing roster of drummers. There were three separate tours, a spring tour with shows scattered from April through early June, a summer tour during which Tim Alexander and Claypool reunited (!), and a fall tour. Claypool’s first solo album as a bandleader since Primus, the Purple Onion, was released in 2002. During the course of the year’s tours, the album material was incorporated into set lists. The year ended with the third FrogOut.
Les has said in interviews that the Purple Onion recordings were a new experience for him because it was the first time that he composed music without specific musicians in mind. Instead, he wrote the music regardless of instrumentation limitations, and then picked the right musicians to record it. Just like the addition of Dillon and the use of xylophones both compositionally and as a soloing instrument in concerts, this approach to writing and recording music was very reminiscent of Zappa’s work and mindset.
2003 saw a spring tour with yet another drummer (Paulo Baldi), followed by a stylistic shift as Eenor was replaced by Brian Kehoe (of MIRV fame) on guitar for the summer 2003 tour. This lineup played several shows only in 2004 and 2005 (including FrogOuts), at which time Claypool replaced Kehoe with Gabby La La, the drummer changed again (back to Jay Lane) and the band name became the Fancy Band (see their page for more info). Despite the similarity in setlists and lineup, Claypool has philosophically treated the Fancy Band as a distinct entity, as opposed to yet another version of Frog Brigade. Whether this spells an end to the Frog Brigade or not remains to be seen…Note: The following musicians played one-off Frog Brigade performances:
Les Claypool – see Unusual Instruments
Todd Huth - acoustic guitar: Pigs On the Wing Pt I, Dogs
Mike Dillon – percussion includes xylophone, marimba, timbales, cowbells, cymbals, tabla, etc.
Eenor:
Purple Onion
Live Frogs Set 1
Culled from the first sets of the 10/8-9/00 shows, the first Frog Brigade album was released in early 2001 and won Les an award at the 2001 Jammys for best live album. Live Frogs I serves as a representative sample of the first set of fall 2000 shows, replete with long jams and Les’ gushing liner notes about the power and potential of his first touring live band since Primus.
The album includes mildly edited versions of:
NOTE: Song descriptions are under specific headings below for ease of readability and taxonomy.
Live Frogs Set 2
A complete rendition of the fall 2000 Set II performance of Pink Floyd’s Animals, recorded at the same time as Vol 1, but released in late 2001. All songs were premiered on 08/17/00 and played at every show until 12/30/00 (except for Pigs).
Note: While this is an all-cover set, it remains listed here for conceptual continuity with Live Frogs 1. All of these songs were first played by Claypool with this band.
Other Les Claypool Band Material
C2B3
Primus
Sausage
Note: All Sausage material was played on 2000 and winter 2001 tours only (See Fancy Band for more information).
Unreleased Originals
None to date. During summer 2003, the band sound checked (but never played live) an instrumental called Ancient Mariner, reportedly written by Les and Kehoe.
Released Covers
Unreleased Covers
Teases
Vocal Teases / Lyrics
Official Video
Trey Anastasio (guitar and vocals) – Phish leader, Les’ bandmate in Oysterhead.
Peter Apfelbaum (sax) - Best known for collaborations with Phish as member of Giant Country Horns.
Paulo Baldi (drums) - Member of Deadweight, SF area band that opened FB shows in 11/02. All three members sat in on 12/31/02 and 5/31/03. Paulo became the FB drummer in 2003, and later played with Fancy Band as well (see Give the Drummers Some page).
Ben Barnes (violin, fiddle) - Member of Deadweight, SF area band that opened FB shows in 11/02. All three members sat in on 12/31/02 and 5/31/03. Participated in the recording of Purple Onion.
Sam Bass (cello) - Member of Deadweight, SF area band that opened FB shows in 11/02. All three members sat in on 12/31/02 and 5/31/03. Participated in the recording of Purple Onion.
Adrian Belew (guitar) - Best known as vocalist and guitarist of King Crimson (1981-present). Also played with Frank Zappa, Talking Heads and David Bowie. Also sat in with Primus on 6/12/04. Les and Danny Carey of Tool formed rhythm section that recorded five songs released on Belew’s solo records.
Kenny Brooks (sax) - Member of Bob Weir’s Ratdog
Buckethead (guitar) – see Primus, C2B3 pages.
Jerry Cantrell (guitar) – Played in Alice In Chains (see Primus)
Ralph Carney (sax) - Has played and recorded with Tom Waits.
Frank Catalano aka Ballpark Frank (baritone sax)
Andrew Clark (sax)
Stewart Copeland (drums) – Member of Police; Les’ bandmate in Oysterhead.
Karl Denson (sax) – member of Greyboy All Stars, Robert Walter’s 20th Congress and his own KDs Tiny Universe.
Mike Dillon (percussion) – member of Frog Brigade since 2002; also in Fancy Band.
Dirty Dozen Brass Band (horns – unknown which members sat in) – A New Orleans band mixing funk, second line rhythms and jazz.
DJ Disk (turntables) – see Primus.
Eenor (guitar)
Galactic (unknown which band members and on which instruments) –A New Orleans based largely instrumental band that headlined the winter 2001 tour, with members of both bands sitting in with each other frequently.
Garaj Mahal (unknown which band members and on which instruments) – A jam band featuring drummer Alan Hertz (Les and Trey sat in with him on 5/20/01) and recently deceased keyboardist Vince Welnick, who played with the Grateful Dead from 1990-5.
Adam Gates Aka Bob Cock Aka Filthy Ape (vocals)
Mike Gordon (bass, vocals) - Bassist and vocalist in Phish.
Brian Haas (keys) – Member of Jacob Fred Jazz Odyssey.
Mike “MIRV” Haggard (guitar) – Played in original Mountain Aire lineup. Member of MIRV.
Colonel Bruce Hampton (guitar) – Founder of Aquarium Rescue Unit, Fiji Mariners, Code Talkers and various other jam bands and cultural figurehead within jam-band community.
Warren Haynes (guitar) - Guitarist and vocalist best known for work with Allman Brothers, Phil Lesh and Friends and own band Government Mule. Claypool collaborator since 2001, Haynes played on the studio recording of Buzzards of Green Hill. Claypool has sat in with Gov’t Mule in return.
Jimmy Herring (guitar) – Best known for work with Phil Lesh and Friends, as well as Project Z (with members of Aquarium Rescue Unit) and other jam bands.
Houseman (vocals) - member of Limbomaniacs and various other SF area bands.
Junior Brown (guit-steel = guitar plus pedal steel on same body) - Country musician, leader of own bands.
Brian Kehoe (guitar, vocals) – Member of MIRV; joined FB summer 2003.
Briggan Krauss (sax) - Member of Drums and Tuba.
Gabby La La (sitar) - Played on studio recording of D’s Diner. See C2B3, Fancy Band.
Jessica Lurie (sax) – Member of band Living Daylights.
Brian “Brain” Mantia (drums)
Lonnie Marshall (bass) - Bassist in Weapons Of Choice, a band that opened some 1996 Primus shows. Played on studio version of D’s Diner.
Eric McFadden (guitar) – Has played with Eenor in his side band.
Stanton Moore (drums) - Member of Galactic, Garage A Trois.
Stephen Perkins (drums and percussion) - Best known for work with Jane’s Addiction, Porno For Pyros and Banyan.
Paul Shaffer (keyboards) - Bandleader of David Letterman’s band.
The Slip (unknown which band members and on which instruments)
Mark Sutherland (sax) - Member of Malachi Papers, which also includes Mike Dillon.
Mike Watt (bass) – Member of Minutemen and leader of own bands.
Bob Weir (guitar) – Founding member of Grateful Dead; later Planet Drum, The Other Ones, Ratdog (live band includes Jay Lane, Jeff Chimenti)
Vince Welnick (keys) - Piano player and vocalist, affiliated with Grateful Dead.
G. Calvin Weston (drums) – Best known for playing with Ornette Coleman and with collaborations with MMW’s drummer Billy Martin.
John Whooley (sax)
Ike Willis (guitar, vocals) - Lead vocalist and rhythm guitarist on nearly all Frank Zappa tours from 1978-88, currently affiliated with/bandleader of Zappa tribute band Project/Object.
World Accordion To… (accordion player and percussionist only) – A New Orleans based band.
Eric ? (drums)
? (violin)
Blueprints: Mountain Aire Frog Brigade and Rat Brigade
Following the success of Oysterhead, Claypool formed another lineup for the 05/27/00 Mountain Aire Festival. This lineup featured both Jeremy Irons (ex-Pearl Jam and Chili Peppers) and Tim Alexander on drums, MIRV on guitar and Skerik on sax. Although that was the premiere and swan song for this supergroup (and the only time Les and Jeremy Irons played live together), it led to other a strong creative relationship with Skerik, and spawned the various Frog Brigade (and eventually Fancy Band) tours and lineups.
The band played an 80 minute set, introducing the following material to FB shows:
Claypool's next project was a one-time organ trio that played on 06/24/00 only at the first Gathering of the Vibes festival. Claypool, along with Jay Lane and Jeff Chimenti (both in Ratdog at the time), performed a loose 75 minute set, introducing the following material to Frog Brigade shows:
In summary, these two one-off shows served as blueprints for the future Frog Brigades, as Les experimented with new musicians (e.g. playing with keyboards and sax, instruments that he had always said would never be a part of the Primus sound), new lineups (e.g. an organ trio) and a wealth of both new and old material from various phases of his career. Most of these songs from were incorporated into Frog Brigade setlists (the exceptions being the one off Sartori In Tangier and Batman Jam). In particular, the premiere of Shine On heralded the Pink Floyd onslaught of the 2000 Frog Brigade.
During these shows, Les clearly demonstrated both his affinity towards and abundant ability for improvisation. These shows also provided an early glimpse into his experiments with bass loops, a skill that he developed in his post-Primus gigs. The loose and improv-oriented structure of these shows allowed Les to both pay homage to his favorite musicians and bands (e.g Pink Floyd, Gabriel, Waits and King Crimson), and to simultaneously explore other influences within a more open format. Most obviously, in recent years Les has talked more and more about the impact of the Beatles on him, and the incorporation of various Beatles songs into the Brigade's repertoire is the result of this newly expressed affection.
Summer/Fall 2000
In 8/00, Les unveiled the first FB lineup, consisting of old Sausage bandmates Jay Lane and Todd Huth, Eenor (who had won a mail-order competition Claypool had sponsored to decide on his last band member), Jeff Chimenti and Skerik. The six-piece band was rich with tonal possibilities and soloists, showing that Claypool was about to embrace a new sound and concept.
For those who lamented that (pre 2003 reunion) Primus had not been a jam band, the Frog Brigade was Claypool's ultimate answer. All shows were 2+ hours long, with loads of jamming. In a break from all prior gigs, this edition of the Brigade played two sets - the first set usually consisted of 5 songs and ran from 65-70 minutes, while the second set at every show through 12/30/00 was Pink Floyd's Animals album, covered note for note in its entirety (45 min)!! Claypool has released live albums culled from the 10/08 and 10/09 shows, appropriately titled Live Frogs Set I and II. Live Frogs I was a representative sample of the first set, while Live Frogs II was Animals cover to cover.
Besides the long jams, other aspects of these shows were more in keeping with jam bands and their concepts than with Primus shows. Each show had two sets, a concert theme more familiar to fans of bands such as Phish or the Grateful Dead. For the first time, Claypool allowed an open taping policy (audio only). He spoke out against moshing and other aggressive fan behaviors at shows. The fan base changed accordingly, with more females and more jam-nation fans than one would have seen at a Primus show.
All in all, the first tour was a critical success. Les proved that the band was commercially viable, broke new musical ground for himself and introduced fans to new material. The only drawback were the limited set lists, particularly since all the second sets were identical. Nonetheless, the group’s freshness, musical prowess and epic jams more than made up for this.
This lineup/tour introduced the following complete songs:
NOTE: Those in ( ) were premiered on 05/27/00 or 06/24/00, but put into regular rotation by this band:
Total # Complete Songs Played On Tour: 17
Winter 2001 – First Frog Out/Sno Core Tour: Galactic (opening slot)
This tour saw the same lineup playing a single set, ranging from 55-85 minutes. The band had more material to play, and the sets alternated between long performances and tidy, short pieces, providing for better pacing and contrast. By mid tour, Les had broken new ground by introducing both a new instrument, the Whamola, into his repertoire, and his first new composition written specifically for the Frog Brigade (the song Whamola).
The winter 2001 Sno Core tour also stands out as the most fertile period in the history of the Frog Brigade in terms of band members sitting in with each other and enjoying a high caliber of musical cross-pollination. Members of Galactic, FB and openers Lake Trout or Drums and Tuba joined each other onstage on a near nightly basis, leading to many memorable jams.
This lineup/tour introduced the following complete songs:
NOTE: Those in ( ) were premiered on 05/27/00 or 06/24/00, but put into regular rotation by this band:
Total # Complete Songs Played On Tour: 27
Summer 2001 – Headliner and Phil Lesh and Friends (opening slot)
With Chimenti, Lane and Huth all leaving (Chimenti played in the first few 06/01 shows, and Bob Cock played one show, the last two guitarist FB show to date) the lineup tightened up to a 4 piece, including new drummer Svena. While this leaner lineup lacked some of the timbral range of the prior group, it really showcased the talents of Eenor and Skerik, who became the de facto lead soloists. The band stuck with the one set format, playing 45 min opening sets for Phil Lesh and 100-120 min headlining shows in clubs.
The material also changed quite a bit. Without Huth or Lane, Les replaced the Sausage and Primus material with an expanded focus on Holy Mackerel songs. He also premiered two new original songs, his first FB compositions with vocals. This tour also distinguished itself by having a song suite organized around a specific theme, namely outer space! By mid tour, Les and company were donning strobe light equipped space helmets for a medley of David Bowie's Space Oddity, the B52s Planet Claire, Cosmic Highway, and Walking On the Moon by the Police. All four songs had similarly lean, metallic arrangements, with Les shouting out the vocals through a distorted wireless mic in his helmet. While the latter part of some sets seemed at times like deja vu, the massive jams made up for the less diverse set lists.
This lineup/tour introduced the following complete songs:
Total # Complete Songs Played On Tour: 20
FrogOut 2001/Spring 2002
The main change in this lineup was in the rhythm department. Once again, there was a new drummer, Dean Johnson, who brought with him a larger drumset and more sound options than prior Brigade drummers. More importantly, Skerik’s band mate from Critters Buggin’, percussionist Mike Dillon, joined the band, adding a variety of colors and orchestral marimba/xylophone capabilities to the group’s sound (all future Frog Brigade and Fancy Band lineups stuck with this 5 piece, drums and percussion paradigm). The set lists changed once more, incorporating a variety of new Frog Brigade originals, while trimming off some of the Holy Mackerel and space suite covers.
This lineup/tour introduced the following complete songs:
Total # Complete Songs Played On Tour: 18
Summer 2002 – Headliner and moe. (opening slot)
This tour was important for two reasons. First, Claypool and Alexander reunited, bringing Tim back into the spotlight and hinting at the 2003 Primus reunion. Second, the band played a number of shows with Les’ friends in moe., leading to members of both bands sitting in with each other. The band played 95 min sets on the moe. double-headers and two hour plus shows when by themselves. Set list material was similar to the spring tour, with the addition of a number of songs for extra variety and jam potential.
This lineup/tour introduced the following complete songs:
Total # Complete Songs Played On Tour: 25
Fall 2002/FrogOut 2002
Once again, the drum chair changed hands, first held by Fishbone drummer Fish Fisher on the West Coast dates and then back to Dean Johnson for the East Coast shows. Claypool worked the remaining tracks from Purple Onion into live rotation on this tour. Another major highlight was the presence of opening band Deadweight, whose members sat in on a near nightly basis.
This lineup/tour introduced the following complete songs:
Total # Complete Songs Played On Tour: 25
Spring 2003
The drum chair changed hands yet again, as Deadweight drummer Paulo Baldi took over. This was otherwise a short tour featuring similar material.
This lineup/tour introduced the following complete songs:
Total # Complete Songs Played On Tour: 26
Summer 2003 and 2004-5 Shows
For once the drum chair stayed the same, although FB underwent a major stylistic change as Eenor was let go and replaced by Brian Kehoe of MIRV fame, who got plenty of soloing room (on guitar of course, but also including his a capella operatic renditions of O Sole Mio). The band debuted a number of new covers (although just as maddening were the excellent soundcheck versions and jams of covers that never made the setlists) over the course of the summer tour, two FrogOuts and the Jam Cruise shows. 2004-5 were very quiet, as Les focused on the Primus reunion and C2B3. The FB lineup played a final show on 4/29/05 (exactly five years after the Primus lineup with Brain went on hiatus), showcasing the transition into Fancy Band, as Gabby La La sat in on the first and last performances of C2B3 material.
This lineup/tour introduced the following complete songs:
Total # Complete Songs Played On Tour: 34
Historically Important Shows
New Years Eve (Frogouts)
TV/Radio Appearances
None to date.
Classic Shows